The spoof is becoming part of the self-sustaining ecosystem of bad movies, which in recent years have turned into a viable genre of their own. And now, a little over a year later, Keene and Doyle’s film Fatal Future - which they wrote and directed together under the pseudonym Mitch Kean, and is now streamable on Amazon Video - is quietly on its way to amassing a cult following of its own. “There was so much about Neil Breen and his style that took us and really was so much more than we had been used to with bad films.”Īlmost immediately after finishing Fateful Findings, Keene and Doyle formulated a plan: Watch every Neil Breen movie in existence, then go make one of their own. “I don’t even know how we stumbled upon this specifically, because I don’t even know what I searched for,” Keene says. The Las Vegas-based filmmaker considers himself something of a bad-movie expert, but when he and his friend and fellow filmmaker Sean Doyle came across Breen’s 2013 film Fateful Findings, they were astounded. ![]() I’ll just say that at some point it appears the movie is long enough so a monumentally bad conclusion scene is bolted on and then it’s over.Michael Keene had no idea what he was getting into when he first saw a Neil Breen movie. I don’t know how I could spoil the ending by describing it, but I won’t. As a viewer you start asking yourself questions like: Will I see more side-boob? Will I see more feet of people walking? Will he pan down an empty conference table? Will a random wisp of smoke that also looks like ejaculate fly through the scene? The answer to all of these is yes. He is busy uncovering the most secret secrets of the government and business world.īut really the scenes have very little to do with the plot, the actors’ lines have very little to do with the scenes and every moment is an opportunity to catalog every choice that was made wrong about every aspect of the film. His publisher is pressuring him to write another mega-selling book but his ennui is forcing him to become an ultra-hacker. His best friends look like a bouncer and a former participant in some aspect of the adult entertainment field. Even though they never actually meet at the hospital he does invite her to a cookout later in the movie. He is hit by a car and, while in the hospital, almost reconnects with his childhood girlfriend. Dylan is a successful computer expert and writer of novels (but not, apparently, a novelist) who is suffering from a bad relationship with his pill-popping girlfriend. Unfortunately, for the viewer, the super telekinetic powers he finds don’t include the ability to make a coherent movie. ![]() Neil Breen wrote, directed, edited and catered the film, and he also plays the main character of Dylan who, as a child, finds something that affects his fate (thus the title). ![]() Plot lines are left dangling, characters walk through scenes delivering poorly written dialog in the worst, most wooden way possible. It’s hard to describe what the movie is actually about. They wanted to get out in front of any “cult” status this movie may attain. The worst movie ever made is Neil Breen’s “Fateful Findings.” This movie had it’s world premiere at the 2013 Seattle International Film Festival. And the bad movie aficionados will pull up films like “Manos: The Hands of Fate” or “Troll 2” or even “The Room” but they are all wrong. Everyone feels they have seen bad movies. When you tell people that they’re about to see the worst movie ever made, no one believes you.
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